(1)In this Part—
(a)a recording of sounds, from which the sounds may be reproduced, or
(b)a recording of the whole or any part of a literary, dramatic or musical work, from which sounds reproducing the work or part may be produced,
regardless of the medium on which the recording is made or the method by which the sounds are reproduced or produced; and
“film” means a recording on any medium from which a moving image may by any means be produced.
(2)Copyright does not subsist in a sound recording or film which is, or to the extent that it is, a copy taken from a previous sound recording or film.
Cases considering section 5 3
[2001] UKHL 38 · 12 July 2001Interprets
The definition of a sound recording was considered by analogy and held not to support congruence between each underlying literary work and a typographical published edition (see paras [10]-[11]).
A recording of one work is definitionally distinct from a recording of another. That definition did not govern the differently worded concept of a published edition (see para [11]).
[2025] EWCA Civ 1622 · 15 December 2025Limits
Section 5(1) was noted to cover films, demonstrating that being a thing to be looked at cannot by itself define a graphic work. (see para [70])
[2008] EWCA Civ 287 · 4 April 2008Defines
Defines the separate category of a sound recording. The court distinguished that copyright from copyright in the musical Work, which was the subject of the claim.
What each judgment says about section 5 is in the case-law panel in the full Act.