(1)A performer’s rights are infringed by a person who, without his consent, issues to the public copies of a recording of the whole or any substantial part of a qualifying performance.
(2)References in this Part to the issue to the public of copies of a recording are to—
(a)the act of putting into circulation in the [F501 UK-EEA areaF501] copies not previously put into circulation in the [F501 UK-EEA areaF501] by or with the consent of the performer, or
(b)the act of putting into circulation outside the [F501 UK-EEA areaF501] copies not previously put into circulation in the [F501 UK-EEA areaF501] or elsewhere.
(3)References in this Part to the issue to the public of copies of a recording do not include—
(a)any subsequent distribution, sale, hiring or loan of copies previously put into circulation (but see section 182C: consent required for rental or lending), or
(b)any subsequent importation of such copies into the United Kingdom or [F502 anF502] EEA state,
except so far as paragraph (a) of subsection (2) applies to putting into circulation in the [F503 UK-EEA areaF503] copies previously put into circulation outside the [F503 UK-EEA areaF503] .
[F504 (3A) In this section “UK-EEA area” means the United Kingdom and the EEA, taken together. F504]
(4)References in this Part to the issue of copies of a recording of a performance include the issue of the original recording of the live performance.
(5) The right of a performer under this section to authorise or prohibit the issue of copies to the public is referred to in [F505 this Chapter F505] as “distribution right”. F500]